George Cukor Had Always Experimensed Within His Relatively Broad Lane, often Finding Nuanced Ways to Explore Women’s Lives, Including their sex lives, Under the Consstraints of the PRODUCTION CoDE. But after winning the best director oscar for best picture-winner My Fair Lady in 1964, cukor’s career Slowed Down Considerably, and as the 60s Turned Into The 70s and Both Gender Roles and The Movies Went Through Through Massive Changes, Cukor Was Styl Making the Sams of THINGS OHINGS OHINGS HAWE MADE At the peak of the studio system, Regarding which he adopted an extramely defensive stance. Then, Suddenly, in 1981, with Rich and familyCukor Caught up with the sexual revolution – a decade too late.
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